Dame Shirley Bassey

Mystery Surrounding New Shirley Bassey Album – The Plot Thickens

Following on from the news on the recording of a new Shirley Bassey studio album, the Tweets by violinist Russell Gilbert have now been mysteriously deleted; the only one remaining from 24th July is a retweet of Godless Utopia, with absolutely no mention of our Goddess DSB! What to make of this development? Did the trigger happy tweeter get scolded by Dame Shirley for spoiling her surprise anniversary album, or could this have been a cruel hoax?




Climb Ev’ry Mountain (From Wikipedia, the free encyclopedia)
Song from The Sound of Music
Published 1959
Writer Oscar Hammerstein II
Composer Richard Rodgers  from the album ‘Shirley Bassey’

B-side “Reach for the Stars”
Released July 1960
Format 7″ single
Length 3:10
Label Columbia

“Climb Ev’ry Mountain” is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Here it is sung at the close of the first act by the Mother Abbess. It is themed as an inspirational piece, to encourage people to take every step towards attaining their dreams.

This song shares inspirational overtones with the song “You’ll Never Walk Alone” from Carousel. They are both sung by the female mentor characters in the shows, and are used to give strength to the protagonists in the story, and both are given powerful reprises at the end of their respective shows. However, as Oscar Hammerstein II was writing the lyrics, it developed its own inspirational overtones along the lines of an earlier Hammerstein song, “There’s a Hill Beyond a Hill”. He felt that the metaphors of climbing mountains and fording streams better fitted Maria’s quest for her spiritual compass. However, the muse behind the song was Sister Gregory, the head of Drama at Rosary College in Illinois. The letters that she sent to Hammerstein and to Mary Martin, the first Maria von Trapp on Broadway, described the parallels between a nun’s choice for a religious life and the choices that humans must make to find their purpose and direction in life. When she read the manuscript of the lyrics, she confessed that it “drove her to the Chapel” because the lyrics conveyed a “yearning that ordinary souls feel but cannot communicate.”

Although this song has parallels with “You’ll Never Walk Alone,” the song shares musical similarities with the song “Something Wonderful” from The King and I. Both songs are played at a similar broad tempo, and both songs have accompaniments punctuated by heavy chords in the orchestral score.

The song has often been sung by operatically trained voices in professional stage productions. In the original Broadway production it was sung by Patricia Neway, in the original London production it was sung by Constance Shacklock, and in the original Australian production it was sung by Rosina Raisbeck.

In the original stage play, the Mother Abbess sings the song at the end of the first act. When Ernest Lehman wrote the screenplay for the film adaptation he shifted the scene so that this song would be the first major song of the second act. When Robert Wise and his film crew were filming this scene, Peggy Wood had some reservations about the words, which she felt were too “pretentious.” So they filmed Peggy Wood in silhouette, against the wall of the set for the Mother Abbess’ office. However, Peggy Wood’s singing voice is ghosted by Margery MacKay, the wife of the rehearsal pianist Harper MacKay, as Wood was not able to sing the high notes of the song.

Cover versions: Tony Bennett had a very minor hit in 1960 with his recording of the song.
Andy Williams released a version on his 1960 album, The Village of St. Bernadette.
The Fleetwoods released a cover version of the song that can be found on their 1990 album, The Best of The Fleetwoods.
In 1961, Welsh singer Shirley Bassey recorded the song and released it as part of a double A-sided single with “Reach for the Stars.” It reached #1 in the UK and remained on the charts for 18 weeks.
In 1989, Sissel Kyrkjebø sang a Norwegian version, “Se Over Fjellet”.
Alex Burrall’s version can be heard in the 1992 movie The Jacksons: An American Dream. Burrall (portraying Michael Jackson 6–8 years of age) sings the song at a school pageant show.
Christina Aguilera covered the song in 2000 and it’s included in her concert DVD My Reflection.
In 2003, Guy Sebastian’s interpretation of “Climb Ev’ry Mountain” was seen by TV viewers of Australian Idol season 1 when he performed it on the 1960s theme night. Sebastian went on to win and become the first Australian Idol. In 2004, he recorded “Climb Every Mountain” for the B-side of his #1 single “All I Need Is You”.
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Climb ev'ry mountain 1

Climb ev'ry mountain 2

Climb ev'ry mountain 3


Climb every mountain,
Search high and low
Follow every byway
Every path you know

Climb every mountain
Ford every stream
Follow every rainbow
‘Til you find your dream

A dream that will lead
all the love you can give
Every day of your life
For as long as you live

Climb every mountain
Ford every stream
Follow every rainbow
‘Til you find your dream

A dream that will lead
All the love you can give
Every day of your life
For as long as you live

Climb every mountain
Ford every stream
Follow every rainbow
‘Til you find your dream

Dame Shirley Bassey

Dame Shirley Bassey At Abbey Road Recording New Studio Album

Some exciting news.. According to the Tweets below by orchestral violinist Russell Gilbert, Dame Shirley Bassey is back at the famous Abbey Road Studios in London today recording a NEW ALBUM!!

Unofficial Dame Shirley Bassey News and Features


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